[Explanation] Three square tables and three "cultural relics". In the cultural service exhibition area of ​​the Service and Trade Association, the work of three cultural relics restorers attracted many exhibitors.

　　At the scene, experts in restoration of cultural relics demonstrated the process of restoration of cultural relics such as calligraphy and painting, bronze ware, textiles, and porcelain. The public can truly appreciate the whole process of restoration of cultural relics.

　　[Concurrent] Huang Lijun, textile restoration engineer

　　Dyeing is the key to restoration, because the colors of unearthed textiles or handed down textiles have undergone many changes over time.

Then when I did the repair, the damaged place needed modern materials to match it, and it needed to be the same color as it was. It looks the same from a distance, but it looks different from a closer look.

　　[Concurrent] Han Song, porcelain restoration engineer

　　This must have a principle, that is, "repair the old as the old". For example, if there is such a pattern on it, it cannot be modified according to the aesthetic point of view of modern people. It is impossible to paint it according to the aesthetic point of view of modern people. It is necessary to "repair the old as the old", follow the original appearance of the cultural relics and maintain their essence.

　　[Explanation] 767,000 immovable cultural relics, 108 million pieces/set of state-owned movable cultural relics.

The cultural relics restoration workers cherish the precious heritage and precious resources left to future generations by the ancestors over the long years.

　　In the cultural service special exhibition area, the "National First-Class Cultural Relic "Qing Long Tibetan" Wooden Sutra Protection and Restoration Project" and other related restoration techniques are vividly displayed in front of the audience.

Sun Xiaolei, head of the cultural relics restoration enterprise, said that it is the pursuit of all restorers to make damaged cultural relics reappear.

　　[Concurrent] Sun Xiaolei, Head of Cultural Relics Restoration Enterprise

　　When we see a piece of precious cultural relics, it can be said that some are insect-eating and rat-biting, some are gray-headed and earth-faced, and some are broken into pieces, all damaged.

After the efforts of our experts and young restorers, let them rejuvenate and rejuvenate their artistic appeal. This is our greatest comfort in the restoration of cultural relics.

　　[Explanation] In the cultural service special exhibition of the Service Trade Association, the Palace Museum, the National Museum of China, and the Prince Gong’s Mansion Museum also displayed the latest cultural and creative achievements.

In 2020, the Forbidden City has been built for 600 years.

At this service trade fair, the Palace Museum also brought to the scene related souvenirs of the "600 years of the Forbidden City".

　　[Concurrent] Lu Xiaogang, Deputy Director of the Cultural and Creative Department of the Palace Museum

　　On the commemorative banknote, we chose a very representative pattern of the Hall of Supreme Harmony, the front is the Hall of Supreme Harmony, and the back is a dragon-shaped pattern on the Nine Dragon Wall.

On the commemorative coin, a more meaningful unicorn was selected, which is a beast in the Forbidden City and a very beautiful image.

Our stamp is the floor plan of the Forbidden City, and the floor plan is used as a picture of its small medal.

　　【Explanation】According to the introduction, the cultural relics and museum cultural and creative exhibition area in the Service Trade Fair, with the theme of "Let the Cultural Relics Live", showcases the latest achievements in the integration and development of cultural relics and technology.

The exhibition area will also display relevant technologies for online transactions and release relevant results of big data research on cultural relics and art transactions.

　　Reporting from Beijing by reporter Xu Pengpeng and Liu Chao

Editor in charge: [Zhang Kaixin]