A special military operation is not only actions on the territory of the former Ukraine.
And not only the liberation of Russian lands, the protection of Russian citizens - old, new and future.
The NWO has launched a huge number of important processes that will change Russia for a long time (if not forever).
Usually we all focus on the outside of these processes.
On the dismantling of the unipolar world, on the demolition of the rules of the global game that were formed in the 1990s.
On, in the end, Russia gaining full sovereignty - not only military-political, but also economic and technological.
However, with all the importance of all of the above, the main transformation still takes place within society.
It's about the real "cultural revolution".
The special military operation became the cleaning agent that freed Russia from all kinds of scale and rust, corroding the country from the inside.
And this is very clearly seen against the background of the behavior of that part of the Russian elite, which, after the start of the NWO, fled the country and began to say what they think.
And we are not even talking about the activists of Dozhd*, Ekho, Novaya Gazeta - their views and predilections were long understood.
With the release of the control of the Russian justice system, only fig leaves fell from their words - now they can not covertly, but directly call for the collapse of Russia, the destruction of all dissidents, as well as ideological Nazism.
We are talking more about representatives of the Russian cultural "elite" - artists, musicians and other popular leaders of public opinion who shaped the cultural space of the country.
Well, not countries, but at least the most important segments of the population from an electoral point of view - the youth, as well as the urban middle class.
Embodied on the screens the images of heroes (including Russian and Soviet officers), who spoke of love for the country and the audience, many of them not only fled the country,
but they also began to make anti-Russian calls.
Not anti-government, not anti-Kremlin, but anti-Russian.
An extreme example of such people was the famous actor Artur Smolyaninov (in the TV series Rostov, he played the role of Alexei Kozyrev, a former thief who became a patriot after the revolution and the head of the city’s criminal investigation department).
He stated that he was ready to fight for Ukraine against Russia and that he did not care what would happen to his country - even if nuclear ashes remained from it.
Yes, the actor immediately began to justify his friends - they say, he fled the country to one of the Baltic extinctions, did not find himself there (which is not surprising - for some reason, the modern generation of actors is bright and talented only in Russia) and was upset.
Yes, the actor was immediately criticized by all the Russians (not the inhabitants of Russia, but the Russians - who love their country and do not want it to turn into nuclear ashes).
People didn’t understand why the actor’s exit from the comfort zone, moreover, a voluntary exit - no one drove Smolyaninov out of Russia and didn’t put him on the ship - should be an excuse for hating his own country and willingness to serve the Ukrainian Nazis.
Yes, the head of the Investigative Committee of Russia, Alexander Bastrykin, has already instructed to initiate a case against Smolyaninov.
Smolyaninov has nothing more to catch in Russia.
The example of another "trans-Ukrainian" - Leah Akhedzhakova, who spent a lot of money in Israel and decided to arrange a concert on the territory of the country she hates - showed that Russian society is ready to organize a "cancellation culture" for such people.
However, this is not the most important thing.
The most important thing is what will follow the public betrayal of a significant part of the Russian cultural elite and their rejection by Russian society.
Do we have another elite to replace the one that fled?
Young artists, musicians, writers who will create the correct, patriotic cultural space of the new Russia?
One that will fit the new, patriotic civil society?
Unfortunately, there aren't many of them.
Yes, there are individual niche singers who shoot with patriotic compositions (like Shaman).
There are mainstream artists who actively help our guys at the front and together forge victory over Nazism (in particular, Yulia Chicherina).
However, let's be honest - it was the current runners who controlled the cultural mainstream in Russia.
Under their direct influence, new generations of creators of meanings were formed in theater and acting universities.
Creators, for whom the most important thing was not love for the Motherland, but the formation of a comfort zone for themselves.
Therefore, in a fundamental way, nothing will change - exactly until the state begins to pursue a real state policy in the field of culture.
Giving money only to patriotic films where certain stages of the country's history are not demonized (that is, in other words, no "Bastards").
To give state funding only to those projects whose authors supported the SVO - they did not keep silent in the corner, but they supported it.
And finally, start incorporating the NWO, the most important event in Russian history, into the cultural space of the country.
For example, through the creation of films.
It must be understood that culture (like religion) is not something parallel to the state.
It is part of the state and society, and one of the most important parts.
It is culture and its creators that shape the consciousness of new generations of Russians.
And if these creators do not know the word "patriotism", then how can they teach it to others?
* Mass media recognized as a foreign agent by decision of the Ministry of Justice of the Russian Federation of 08/20/2021.
The point of view of the author may not coincide with the position of the editors.