Abla Kamel chose from her beginning not to resemble any of the generations that preceded her senior actresses, but she represented in her own way and her school that relies on spontaneity and spontaneity, despite the difference and diversity of the characters she provides; Unlike many actresses who seek to imitate the artists of the past to give them opportunities for stardom and guaranteed success, "Abla" went for the toughest choice and made a mark of her own.

Rumors of her retirement

Despite the audacity of Abla Kamel to introduce unexpected personalities, her origins date back to the Itai El-Baroud Center in Beheira Governorate, Egypt, where she was born in September 1960; She made her character - far from acting - bear a great deal of shyness, which keeps her away from the media all the time, and she is satisfied with acting only, she realizes that she is not good at talking about her life, especially since she does not have a noisy life like her female colleagues from the artists, she got married when she was a young age And gave birth to her two daughters, and decided to live her life even after the divorce, away from the press and the media.

Her drifting away made her a rich subject all the time for gossip, especially after she wore the hijab in 2005, as rumors of her retiring released art. Abla does not try to deny or confirm the news, as she is a few of the works because she chooses what she shows to her fans, in addition to being affected by the great changes that the scene is witnessing recently, and which makes her not find the appropriate work for the size of her talent and stardom.

Unexpected stardom

No one expected with Abla Kamel appearing on the screen for the first time in a small role with Youssef Chahine in "Goodbye Bonaparte" in 1985, and in a short movie with Dawood Abdel-Sayed, as well as the movie "The Flood" with Bashir Al-Deek, and her participation in the same year also in the same area. In the role of "Afaf" in the series "The Witness and Tears"; It will later achieve all this sweeping popularity.

Her appearance was a prelude to new blood, different from the daughters of her generation on the screen; She was counting on her talent only, venturing out without cosmetics or even attempts to show her beauty and femininity to attract a larger segment of the audience, the same stage during which she spoke in an old meeting with her and said that she dreams of getting Oscars one day.

6 innings made star

Bonaparte was not the only work that director Youssef Chahine brought together. She presented with him the "Sixth Day" and "Alexandria Violin Walkman", even during the stage of proliferation, she was keen on providing important and very diverse roles.

She is Rakia Al-Badri in “Helmiyya Nights”, who suffers from madness and is subjected to great personal transformations and fluctuations in her life. "Al-Hanim Drivers".

But there are 6 roles that have contributed to making it a strong competition for the stars, and for its name to become brilliant and repetitive across the world of social media, with frequent display of these works.

The character of "Fatima Koushari" in the series "I will not live in the djellaba of my father" in 1996 is the most famous in her career, and is considered her first absolute women's heroism in front of Nour Al Sharif, where Abla presented the model of the uneducated woman, the seller of Koshari and the simple and unassuming Egyptian wife, and she succeeded in presenting the mother figure For young people who are close to their age, then.

Then, in 1997, she revolted against Fatima Koushari with the character of "Shukran" in the series "Huanem Garden City"; To become one of the palaces in the palace, but also with the automatic and simple fingerprint of Abla.

In the movie "Hysteria" in 1998, Abla changed the entire style of the blonde heroine that accompanies most of the works of the late artist Ahmed Zaki, perhaps because the director Adel Adib was aware that Abla is the closest thing he needs to the character of "Widad" who deals with his nature and does not know "twisting or turning" At the same time, she tries to draw the attention of "Zain" who falls in love and does not pay attention to her, and that others see her as "crazy" or suffering from trouble, even though she is a woman who supports her around.

Abla Kamel reached the peak of her brilliance when she participated in the series "Hadith Al-Sabah and Al-Masaa", which was presented in 2001 with the character "Jalila", a role that gave her space for creativity and affirmation of her great talent. She presented the character from her youth and through the stages of old age and old age.

Abla Kamel managed to present the woman who "attends the goblins", ordering them and dealing with them smoothly, and she excelled, making her the focus of attention, especially that she surpassed the heroines of the series such as Laila Elwi.

In the series "Raya and Sakina", Abla Kamel embodied the personality of "Raya", which was previously presented by other stars, the most famous of whom was Ibrahim, who performed the movie. In contrast to her previous roles, Abla managed to present the personality of the woman in control in a gang to kill women, and the mother is very cruel with her various emotions.

Support the young generation

Abla Kamel also possessed a wit that made her the first heroine of many comedies at the beginning of the new millennium, works that also contributed to the rise of the young generation at the time. She presented the character "France" in the movie "Lambi" with Mohamed Saad, and the character of the teacher "Assalya" in “Speak to Mama” with Menna Shalaby and May Ezz El Din in their artistic beginnings, “France” in my aunt France with Mona Zaki, and “Hanifa” the taxi driver in “Sayed El Atefi” the first movie starring of Tamer Hosni, and “Balatia El Ayma”, then say Her work gradually thereafter, and her last film appearance was in the movie "Adults" in 2010.

Blood chain

Abla Kamel was satisfied with presenting the parts of the series "Blood Chain", which belongs to the Saadian drama, which achieved success at the mass level, but did not achieve the same popularity on the monetary level, and presented the fifth and final part in 2018.