Alain Sachs is a bulimic of creations. The playwright staged nearly sixty plays. He was named thirty times at the Molières. Today, he produces and stages three plays in Paris. Among them, Kean , at Theater 14 and The Lady of Maxim by Georges Feydeau, at the Théâtre du Gymnase with Christophe Alévêque, François Rollin and the former columnist of Touche not at my post, Enora Malagré.
"An exceptional potential". An actress, a singer, a dancer of formation. It was received in the first round of the conservatory but it is too modest to say, "said Monday the director at the microphone of Anne Roumanoff on Europe 1." I had seen in his broadcasts that it had exceptional potential . And sometimes in this business we do not do exactly what we chose to do. At one point, the television embarked it and today it returns to its first loves ".
Ideas "a little off the wall". In general, the director claims to have ideas "a little off the mark" on the way he stages his plays and chooses his actors. Thus, Alain Sachs did not hesitate to confide a few years ago to the host Jean-Luc Reichmann, the main role of his piece Nobody is perfect . "I brought him back to the theater and since then he's been playing piece by piece, I knew he was a comedian," he points out.
"I love to see people's potential." It is also he who proposes to Jean-Marie Bigard to play Le Bourgeois gentilhomme of Molière in version rap and hip hop. "I love seeing people in their potential and dreaming," he says. Today, his dream would be to shoot with another comedian, "benevolent" and "citizen": Anne Roumanoff.