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"In the end, life does not forsake us, we can only forsake our lives, and whatever kind of life brings us something." Mao said, "Good things can turn into bad things, but bad things can turn into good things. I always said bad things turned out to be good things. "

Wisdom is one of the most widely known Chinese writers worldwide. The original movie "Hassam Tubular Blood Violin" was filmed in Korea. The movie "Life" of director Chang Moi, who also won the Grand Prize at the Cannes Film Festival, also made a film of Yi Hwa. These two feature novels are the most readable works of Wisdom's works.

The book 'What I found in the prison of writing' published last month (November) is a collection of lectures and conversations that have been held in Korea and other parts of the world. In the decades since the talk of the twentieth century, just two months ago, just before the lecture in October, I learned how a novelist called Wisdom grew and grew, and that his reading, writing and living as a person Is full of words.

It is a book that anyone who is wondering about the "miracle of the human mind" can read it with fun and suddenly touching it, not to mention those who have read the book of the wisdom, and to those who do not know the wisdom well.

It is because 'the miracle of a person' is the appearance of contemporary artists attracting attention from around the world including China. Wisdom usually has a childhood that falls far short of what one would expect from those who write "prestigious." I am a person who has not even read a book down to an adult until 1960. Cultural Revolution and Adolescence overlap all together.

The Cultural Revolution is, in short, the period when the Chinese Communist Party denied all civilization of China from 1966 to 1976, leaving only the Communist Party and Mao Zedong. I burned books, especially the culture artists. It is no exaggeration to say that the wounds and aftereffects that destroyed civilization over the past decade are still affecting it. Even if you think of only one thing that 'censored DNA' is rooted, it is hard to imagine the size of its terrible impact.

Wisdom has become an adult in the era of great regression. And with young people, writers, and editors who have sought to regain their fierce regrets, we have revived the modern culture of China. As an adult, I have been reading, thinking, writing and rediscovering literature, searching for world classics like a child. That's exactly what happened in these books.

"When I read the commentary of Mao Zedong, I was not able to read it again, what should I do? I started to visit the place where the grandmother was, and the grandmother of that time was very interesting. In addition to the revolutionary phrase written in large letters, there has been a description of erotic events, such as the fact that someone and someone else committed adultery, and I found the word "adultery" Then, when I went back to my house every day, I had to go through my grandfather's book and see if a new adultery story had come up I used to look. "

The more you chew, the more you will shudder the horrible story so easily and easily. Crying and laughing, I think about the people who have been hurt by that huge absurdity. It is a feature that condenses the masterpieces of wisdom. There are people who do this in the mouth.

It was so hard that I could not find the ending of the funny stories because I was so hard to find the books (literary masterpieces of world literature) which had been ripped off by dozens of backs and forwards. I eventually developed my imagination as a novelist "The end result is that life does not forsake us, we can only forsake life, and whatever kind of life brings us something."

"After I announced the <April 3 incident> in the <Harvest> No. 5 issue in 1987, I received a thick letter from the Anhui Xiaoi, who was the editor responsible for my work at that time, I am worried that many parts described in the work will be too cruel and I am afraid that if they are announced, I will be faced with a lot of criticism, and if it happens, it will be very disadvantageous to me. There was a very small amount of deletion to the extent that it did not damage it.

I do not think I will ever find such a serious editor again. She wrote the original text on a stationary and then rewritten it underneath. At that time, there was no computer and no typewriter. In the absence of anything, she wrote in one paragraph, one paragraph, and asked me if I would agree with the correction. I could not be surprised. At that time, Anh Zhao was a very high-ranking editor, and he had many editorials on famous novels. I can not help but agree that she respects the writer who has just taken off her name like me. I was willing to agree that if it could be announced, it would be ok to delete it altogether. In fact, this serious attitude of the editor was a tradition of <harvest>. It was a tradition left behind. "

Not only is this a great deal of attention, but also how many young people after the end of the Cultural Revolution are enthusiastic, committed, happy, and redeeming their civilizations. "I said that it would be okay if I could delete all of them," and I love the affection, respect, and pride of my humorous colleagues who have tackled the same unprecedented period of humor and the Chinese culture after the Cultural Revolution. This book is buried in various places.

"I slept at his friend's house in the evening, and I continued to ask him to give me the Kafka Novel." When he did not yield to the end, I said, "You live in Hangzhou. I do not have a chance to buy a book like this in the book, and he told me that if he finds another book later in the bookstore he will buy one for me. I told him that he was not able to meet the book in the bookstore again.I said that he will return to Haien and buy <War and Peace> when he yielded to <Kafka Novel> I agreed with the proposal, so I was able to return to Haien with the Kafka novel. The.

Already in the winter, I entered the bed and began to read the book. First, I read <Rural Doctor>. That night, I completely forgot to sleep. There was a horse in the novel. If it is said that there is not, it is not said. It was not logical at all, but it felt very reasonable. That night of sleeplesss told me how to write novels in the future. It was nothing but freedom. Then I wrote "I go home and go a long way" at the age of eighteen. Critics usually think of this short piece as my own. Kafka was my second mentor. He taught me the important fact that writing is very free, not teaching me technique. I can write what I want to write at will.

So my writing was liberated and I was able to write freely after that. I have no fear in my writing. I did not have to worry about what to do if my writing was not right. There is no right or wrong in the literary world. It's just that different people are right and wrong in different positions and perspectives. "

It is also interesting to see that Yi Hwa established his own literature as an adult and began to explore world literature as a child. In this book, I read about the rediscovered literature, the easiest thing about the nature of journalism, and the gentle lectures left in peaceful tone.

One of the Chinese who have rediscovered literature, Yi Hwa spoke quietly about why literature can not be liberated from the personality and history of the community to which it belongs and can not be liberated. It is a pleasure to contemplate the words of a person who realizes that 'universalism' is a 'great literature' that expresses the anxieties about the peculiarity of his / her community 's personality and history. It is a pleasure to read this book.

I am going to enjoy the joy of discovering one more piece of wisdom that I have not read yet this weekend. I would like to have a happy weekend with everyone who listens, with a crowd of bustling people, and with a book of their choice.

* The publisher has permission to read the green forest.

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